Emerging from the vibrant streets of São Paulo in the early 1990s, C12 Rap left an indelible mark on the Brazilian music scene. Their iconic anthem, "És Habib," became an instant sensation, propelling them to the forefront of the burgeoning rap movement.
Origins and Artistic Journey
C12 Rap was founded in 1992 by three friends from the Capão Redondo neighborhood: Negão, DJ Hum, and MC Primo. Inspired by the messages of social consciousness and cultural pride emanating from American hip-hop, they set out to create music that reflected the realities of their own community.
Their debut album, "Sob o Asfalto tem Terra," released in 1995, was a critical and commercial success. With tracks such as "Paulistanos" and "Rap da Abolição," C12 Rap established themselves as the voice of the urban poor and marginalized.
Challenges and Controversies
C12 Rap's music often tackled controversial topics, challenging social norms and political power structures. Their lyrics addressed issues of racism, police brutality, and the struggles faced by young people in underprivileged neighborhoods. This confrontational stance sometimes drew criticism and even threats of violence.
Discography
Throughout their career, C12 Rap released a series of influential albums:
* Sob o Asfalto tem Terra (1995) * Nação Hip Hop (1997) * Manifesto (2000) * 10 Anos de Estilo (2002) * Conexão Internacional (2005)
Members and Contributions
Negão (Anderson Alessandro de Souza): Lead vocalist and lyricist, known for his powerful delivery and incisive social commentary.
DJ Hum (Alexandre Pereira): Producer and DJ, responsible for the group's distinctive sound, which blended traditional Brazilian rhythms with hip-hop beats.
MC Primo (Marcelo D2): Lyricist and vocalist, known for his introspective lyrics that often explored personal experiences and relationships.
Legacy and Impact
C12 Rap's music continues to resonate with listeners today. They are credited with popularizing rap in Brazil and inspiring a new generation of artists. Their songs remain anthems for the marginalized and a testament to the power of music as a tool for social change.