The Rise and Challenges of Excesso: From Underground Beginnings to Controversial Stardom
In the annals of Brazilian rock music, Excesso stands as a legendary band that captivated audiences with their raw energy and unapologetic lyrics. Their anthem, "Eu Sou Aquele," became an instant classic, propelling them to the forefront of the country's rock scene.
Origins and Underground Success
Excesso emerged from the vibrant underground rock culture of São Paulo in the early 1980s. Composed of vocalist Rodrigo "Digão" Amarante, guitarists Edgard Scandurra and Felipe Catto, bassist Fernando "Cacá" Leão, and drummer Sérgio "Serginho" Ferreira, the band quickly gained a loyal following for their electrifying live performances. Their debut album, "Sexo, Drogas e Rock 'n' Roll," released in 1986, cemented their status as underground icons.
Mainstream Breakthrough and Controversy
With the release of their second album, "Não Tem Perdão," in 1988, Excesso broke into the mainstream. The album's title track and the iconic "Eu Sou Aquele" became instant hits, propelling the band to national and international fame. However, the band's success was not without controversy. Their lyrics, often exploring themes of sex, drugs, and rebellion, drew criticism from conservative critics.
Internal Conflicts and Breakup
The band's meteoric rise was accompanied by internal tensions. Scandurra and Amarante clashed over creative direction, leading to a public split in 1991. The band attempted a brief reunion in 2003, but it was ultimately unsuccessful.
Solo Careers and Legacy
After the breakup of Excesso, the band members embarked on successful solo careers. Amarante achieved fame with the band Los Hermanos, while Scandurra formed the critically acclaimed Ira!. Despite their parting, the legacy of Excesso remains strong. Their music continues to resonate with fans, inspiring countless bands and establishing them as one of the most influential Brazilian rock bands of all time.
Discography
* Sexo, Drogas e Rock 'n' Roll (1986) * Não Tem Perdão (1988) * Excesso (1990) * Pedra Fundamental (1991)